The output from the TetraMic is four unbalanced signals from the four capsules. It is not recommended to take these signals further than about 6m (20 ft). Cables terminated in miniature 6-pin XLR plugs are available in 1.8m (6 ft), 3m (10 ft) and 6m (20 ft) lengths.
There are two ways to terminate the miniature cable run. The simplest, which will be available shortly, will be to use Core Sound's 4Mic, which is a four-channel mic preamp and ADC combination. The 4Mic provides the power required by the TetraMic, has a mode in which the mic amp gains are accurately matched, and can output the four capsule signals either on two S/PDIF outputs, or multiplexed on a single S/PDIF output running at double speed.


The shockmount is very neat. It is a pair of rubber rings moulded as a unit with rubber links between. It is most flexible in the directions that a stand is most likely to move, so is probably effective in most situations. My recording is usually in places with solid (typically stone) floors, so I don't get to exercise its capabilities too hard. The clip has a slight amount of flexibility as well, just because it is so petite.
The left-hand photo shows the shockmount with the additional Neumann SG-5 swivel mount that I bought.

